The First Six Books of The Elements of Euclid

A series of unsuccessful (and unrelated) searches led to the happy result of finding this book (and the site it’s on). The Public Domain Review is a fascinating collection of articles about (and a collection of) out-of-copyright texts, images and films, and somehow I’d never seen it before.

I’d seen a page from the book and thought it to be something quite modern, something produced by some later follower of De Stijl or Bauhaus (something the Public Domain Review also comments on), but it is in fact from 1847. Not something you’d associate with early Victorian publishing at all. It’s a remarkable book, and thinking back to when I first learned geometry I wondered if something like this would have helped. In all honesty (and of course entirely my opinion) I can’t say it would. The pages are a visual delight but they compel the learner not only to learn the concepts and mathematical language but a whole new graphical one too. From my memories of Euclid you need a good guiding commentary (or a good teacher, or both) rather than a new translation to help you make the necessary connections and learn the principles well.


The long-s characters and the ornamented capitals are a clue to the age of the book, but the diagrams appear very modern.

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Typographic Rhythm

Something I found the other week and caught my eye, a project by Jonathan Puckey to convey some of the aspects of handwriting, namely speed, into typographic weight. I like the idea, I remember having a pub conversation along similar lines many years ago. It was after a fairly difficult day and the old problem of conveying tone or mood in emails came up. A friend suggested a keyboard with pressure-sensitive keys and software that varied the size, weight, and perhaps even the style of the text depending on your typing speed and the force you were typing with.

The possibilities are still interesting (which is why this caught my eye) and might be an entertaining set of dimensions to add to OpenType. I guess you’d have to be careful with the calibration—some people type as if there are bankers hiding under the keys—otherwise you’d be known as “the shouty one” based on nothing but your emails.


Image via Jonathan Puckey‘s site. Also check out his Lettering Tool. Sadly it’s not available to download.

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