Say you have a client project where you need a bold, condensed sans-serif. A very narrow scope but there’s tonal variation between two typefaces in the same category. This week, TypeThursday founder Thomas Jockin discusses the typographic nuances of October Compressed, from Typotheque, and Gabriello, from Commercial Type.
The machine is designer Sooji Lee’s attempt to bring craftsmanship back to the age of digital reproduction.
Press down a letter on your keyboard, and your computer will fill your screen with it, in any font you want. It’s a process we take for granted, says Design Academy Eindhoven graduate Sooji Lee, who wondered what it would take for a human to reproduce type—or at least one typeface, Bodoni—as reliably as a computer does.
Läs artikeln här: The Type Snob, by Pablo Stanley
Google and Monotype have launched Noto, an open-source typeface family that encompasses every written language in the world, living and dead. It is one of the largest typographic projects ever undertaken and the result of five years collaborative work.