A' International Design Award Competition

Organised under hundreds of creative design categories, the A’ Design Award and Competition has become one of the worlds’ largest and most prominent design accolade.

The mission is to provide a fair, ethical and competitive platform for companies, designers and innovators from all design fields with different experience levels, diverse disciplines and market focus to compete on, while providing them a global audience to showcase their success and talents to.

The primary aim of the A’ Design Award is to create publicity, PR push and advertisement opportunities for award winners while supporting the global design culture, creating incentives for entrants to come up with superior designs for a better future.

The A’ Design Award and Competition offers an unique system for designers to sell their winning ideas to sponsor companies, likewise the companies can bid for the competing design ideas and make offers to buy the designs. The system also provides an online exhibition system and creates free profile pages for designers, innovators and companies, this system is always on and whether you win or not, you will have full access to the system. This is an interactive system where you can write your biography or corporate profile, create an extensive online portfolio by adding additional designs and exhibit new designs or products.

There is no entry fee . Registration and Submission to A’ Design Award and Competition platform is free, and by registering you will have access to many free services and functions. Nomination is paid and possible only if your design is accepted after the preliminary scoring. Eligibility Open worldwide to both professionals, companies and students (underage designers can join with the permission of their legal guardians). Entries can be realized projects, past works, or concept stage or bona-fide works. Prize The award-winning products and designs are highlighted to the international public via the A’ Design Award Gala-Night and Exhibition in Italy and they are communicated to all relevant press across the world.

In addition, the Design Award Winners’ Kit includes the design award trophy, the annual best designs yearbook, printed certificate in metal frame, award winners manual, gala-night invitation for two people to the award ceremony, participation and space allocation in the winners’ exhibition, sales listing at SaloneDelDesigner, utilization of DesignMediator services, inclusion in BuySellDesign Network, proof of creation service, free subscription to listof.net, listing at DesignMegaStore, guaranteed publication through IDNN and DXGN Networks to 100+ magazines including Design Interviews & DM Design Magazine, press release preparation and distribution through DesignPRWire, publicity and visibility through DesignMedia communications, feedbacks, judging and evaluation of entries by a respected jury panel, lifelong licensing of the award winners logo, A2 poster design and printing for exhibition, and many others such as inclusion in the World Design Rankings, and translation of award winning works to 20+ languages, all of which are provided with no further fees, A’ Design Award Winners win fame, publicity, prestige, international recognition and awareness for their brands.

Les Graphiquants

Les Graphiquants via #grainedit

Established in 2008, Les Graphiquants is a design studio based in Paris, France. With a portfolio that is ripe in typographic exploration, they create work that is highly expressive and uncompromising in it’s approach.

 

Les Graphiquants via #grainedit

 

Les Graphiquants via #grainedit

Les Graphiquants via #grainedit

Les Graphiquants via #grainedit

Les Graphiquants via #grainedit

Les Graphiquants via #grainedit

Les Graphiquants via #grainedit

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Thanks to Mister Retro: Machine Wash Deluxe for being this week’s sponsor.

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Google Webfonts, The Spy Inside?

The FontFeed being a WordPress blog, an article mentioned by Erik van Blokland caught my attention. On his private blog web developer xwolf – alias for Wolfgang Wiese – wrote about an intriguing “side-effect” of the use of Google webfonts in the new WP3.8. Its recent introduction unveiled a refreshed back-end for the WordPress – it all looks indeed quite good and usability is satisfactory. However the developers did something that is not entirely fine in these times of constant surveillance and sourcing of metadata by official agencies and criminals alike. Along with the new back-end the use of Open Sans was introduced. When logged in, the fonts are not served locally but from Google webfonts. This creates privacy issues.

The HTML source code looks like this:

The justification for the decision to serve Google webfonts in the WP3.8 back-end can be found in the post Open Sans, bundling vs. linking on the WordPress website. The piece spawned a lengthy comment thread in which Kiwi WordPress developer Ryan Hellyer also pointed out the privacy issues.

I suspect that bundling scripts into WordPress core will create privacy concerns for many people. The ability to perform analytics via them will disturb a small segment of the user-base.

It may even be illegal in some countries. Germany springs to mind in regards to that. They’re already super ticked off about being spied on at the moment, so I think it might be best if WordPress doesn’t join the party too.

And yes, you can install a plugin to force them to be self-hosted, but many people will just unwittingly hit the “update” button without ever realising that they’re opening themselves up to privacy issues.

According to Wolfgang Wiese the solution is a plugin called Disable Google Fonts. As its name implies, its sole function is to prevent loading of Google webfonts by WordPress and bundled themes (Twenty Twelve, Twenty Thirteen, Twenty Fourteen). Wolfgang recommends that every single person who has a personal WordPress installation should immediately install the plugin too. Its developer Milan Dinić sums up a couple of reasons why you don’t want to load fonts from Google’s servers:

  • privacy and security (Google knows about each page view)
  • local development or production (no or limited Internet access)
  • availability of Google’s servers (some countries block access to Google)
  • language support (these fonts have limited characters support)
  • performance (Google’s servers are hit on each page view)

So what exactly is the problem? The problem is this provides Google Inc. – a company listed on the stock exchange whose core business is trading metadata – yet another “tracking station”. User access can be tracked by gathering at least the header data of the connection request. This also includes cookies from the Google domain. Google learns that someone has an Administrator or Editor account for a certain website, and has a relationship to that site. But not only Google. Other websites also use Google webfonts; some of them in their themes and some regular users. Furthermore certain websites integrate Google Adsense and use Google Analytics.

Similar to mobile positioning it is not possible to see where people go. But thanks to cookie IDs and alternatively from other unique data Google can “see” whether someone logs on on a website or if the other website simply is called on. If the account eventually calls on another website that allows Google to connect personal data to (for example Google+ or YouTube), then the company knows who owns that account.

It’s all about metadata after all. By itself, on one single website, this may seem harmless. But by collecting and merging the metadata of several websites comprehensive tracking becomes possible. And not only that – the fact that the WordPress folks now embedded Open Sans only in the back-end allows Google to gain a valuable attribute – it finds out whether there is a working relationship between the account (the owner) and the website.

In his post Wolfgang sarcastically thanks the design team at WordPress for delivering his personal data to Google for a minimal gain in performance. He cannot really understand why web designers would embed Google webfonts without thinking twice, opening themselves up to possible privacy issues simply because it is so beautifully simple and the download file for the current theme is smaller. Or because others do it this way.

Because he also owns themes, plugins and programmed his own CMS, Wolfgang knows very well how little effort is needed. He doesn’t get why it would be so hard to simply offer the option instead of having Google webfonts download by default. One can use Google webfonts with confidence, but should do it consciously, and include the option to switch them off. He thinks it’s just plain laziness or incompetence from web designers/developers, because all it takes is a few lines of code to make Theme Options.

Google is not the ultimate bad guy. Yet it should stick to its motto “don’t be evil”. If some day in the future the NSA waltzes in with a warrant or if economic interests come to the fore. There have been other companies that once were “good”, but became less savoury due to changes in management.

Read the original article in German here.

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Google Webfonts, The Spy Inside?

The FontFeed being a WordPress blog, an article mentioned by Erik van Blokland caught my attention. On his private blog web developer xwolf – alias for Wolfgang Wiese – wrote about an intriguing “side-effect” of the use of Google webfonts in the new WP3.8. Its recent introduction unveiled a refreshed back-end for the WordPress – it all looks indeed quite good and usability is satisfactory. However the developers did something that is not entirely fine in these times of constant surveillance and sourcing of metadata by official agencies and criminals alike. Along with the new back-end the use of Open Sans was introduced. When logged in, the fonts are not served locally but from Google webfonts. This creates privacy issues.

The HTML source code looks like this:

The justification for the decision to serve Google webfonts in the WP3.8 back-end can be found in the post Open Sans, bundling vs. linking on the WordPress website. The piece spawned a lengthy comment thread in which Kiwi WordPress developer Ryan Hellyer also pointed out the privacy issues.

I suspect that bundling scripts into WordPress core will create privacy concerns for many people. The ability to perform analytics via them will disturb a small segment of the user-base.

It may even be illegal in some countries. Germany springs to mind in regards to that. They’re already super ticked off about being spied on at the moment, so I think it might be best if WordPress doesn’t join the party too.

And yes, you can install a plugin to force them to be self-hosted, but many people will just unwittingly hit the “update” button without ever realising that they’re opening themselves up to privacy issues.

According to Wolfgang Wiese the solution is a plugin called Disable Google Fonts. As its name implies, its sole function is to prevent loading of Google webfonts by WordPress and bundled themes (Twenty Twelve, Twenty Thirteen, Twenty Fourteen). Wolfgang recommends that every single person who has a personal WordPress installation should immediately install the plugin too. Its developer Milan Dinić sums up a couple of reasons why you don’t want to load fonts from Google’s servers:

  • privacy and security (Google knows about each page view)
  • local development or production (no or limited Internet access)
  • availability of Google’s servers (some countries block access to Google)
  • language support (these fonts have limited characters support)
  • performance (Google’s servers are hit on each page view)

So what exactly is the problem? The problem is this provides Google Inc. – a company listed on the stock exchange whose core business is trading metadata – yet another “tracking station”. User access can be tracked by gathering at least the header data of the connection request. This also includes cookies from the Google domain. Google learns that someone has an Administrator or Editor account for a certain website, and has a relationship to that site. But not only Google. Other websites also use Google webfonts; some of them in their themes and some regular users. Furthermore certain websites integrate Google Adsense and use Google Analytics.

Similar to mobile positioning it is not possible to see where people go. But thanks to cookie IDs and alternatively from other unique data Google can “see” whether someone logs on on a website or if the other website simply is called on. If the account eventually calls on another website that allows Google to connect personal data to (for example Google+ or YouTube), then the company knows who owns that account.

It’s all about metadata after all. By itself, on one single website, this may seem harmless. But by collecting and merging the metadata of several websites comprehensive tracking becomes possible. And not only that – the fact that the WordPress folks now embedded Open Sans only in the back-end allows Google to gain a valuable attribute – it finds out whether there is a working relationship between the account (the owner) and the website.

In his post Wolfgang sarcastically thanks the design team at WordPress for delivering his personal data to Google for a minimal gain in performance. He cannot really understand why web designers would embed Google webfonts without thinking twice, opening themselves up to possible privacy issues simply because it is so beautifully simple and the download file for the current theme is smaller. Or because others do it this way.

Because he also owns themes, plugins and programmed his own CMS, Wolfgang knows very well how little effort is needed. He doesn’t get why it would be so hard to simply offer the option instead of having Google webfonts download by default. One can use Google webfonts with confidence, but should do it consciously, and include the option to switch them off. He thinks it’s just plain laziness or incompetence from web designers/developers, because all it takes is a few lines of code to make Theme Options.

Google is not the ultimate bad guy. Yet it should stick to its motto “don’t be evil”. If some day in the future the NSA waltzes in with a warrant or if economic interests come to the fore. There have been other companies that once were “good”, but became less savoury due to changes in management.

Read the original article in German here.

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Neutral Density Photography Awards

Neutral Density Photography Awards aims to promote photography and photographers. Our idea is to create new opportunities to present most valuable work to the audiences all over the world. To build a place where photographers can show different points of view and thrive through competition. Our judging panel will comprise highly acclaimed industry professionals, including: gallery owners, publishers, editors and renowned photographers.

There are six main categories:

• Advertising
• Architecture
• Fine Art
• Nature
• People
• Special

There is no limit to the number of individual images or image series each artist may submit. Images that have won prizes in other competitions or that have been submitted in other competitions currently underway are eligible. There is no time or date restriction on when the image was taken. Digitally manipulated images are accepted, although within reason and taste.

Files must meet the following specifications: sRGB or Adobe98 colour space, 8-bit; Longest dimension should not exceed 1024 pixels; Saved as a JPEG at a setting of 10 (100%) or higher. No Watermarks / Copyright Units / Logos on images. Only bleed photographs without borders

Copyright of the images will remain at all times with the photographer.

Early entry deadline: 15 March 2014 . Single image entry fee: $15. Series entry fee (from 2 to 5 images): $20

Early closing deadline: 30 June 2014 . Single image entry fee: $20. Series entry fee (from 2 to 5 images): $25

Final closing deadline: 30 September 2014 . Single image entry fee: $25. Series entry fee (from 2 to 5 images): $30 Eligibility ND Awards competition is open to all Photographers: Amateur and Professional from all over the world. Anyone over 18 years of age can enter the competition. Prize Neutral Density Photography Awards announces the following prizes in the 2014 edition:

• Grand Prize : ND Photographer of the Year Award and $2500
• 6 Category Winners and $500 for each category winner
• 90 Gold, Silver and Bronze medals in subcategories