Tack Anton Bolin för det här välbehövliga typsnittet. En värdig ersättare till Comic Sans? 😉
Läs mer och ladda hem: Pissjar Sans
Vi läser, inspireras och delar med oss från typografivärlden. Hör av dig om du vet någon bra källa till nyheter. Lämna en kommentar eller kontakta oss.
Kureras av Jörgen Gedeon.
Tack Anton Bolin för det här välbehövliga typsnittet. En värdig ersättare till Comic Sans? 😉
Läs mer och ladda hem: Pissjar Sans
Inspired by Edward Tufte’s “sparklines,” the typeface turns typed numerals into inline data visualizations.
Is there a font that’s been used as successfully as often as Cooper Black and gets less respect? We’re not too far off from Cooper Black’s 100th birthday, and I’m going to do my damnedest to give it the analysis it deserves. For this review, I’ll mostly be covering the Black weight of the Cooper family, though there will be some scattered examples of the lighter (and less popular) weights. Go big or go home!
So, yeah, I’m a type designer. And there are numerous situations where I end up stating that “I make fonts”, so that people can have an idea about what I do for a living.
But drawing letters and packing them into working fonts is just a slice of it: I very often find myself fixing other peoples designs. And while it might seem obvious that I would be fixing other people’s typefaces (it has happened on ocasion, though, but when other type designers ask me to help them it gets closer to a mentorship than me doing the designing work), I end up doing logotype calibrations.
Läs och lär: On Logotype Calibration
Typeworkshop.com, your design and typography playground and resource.
100% practical. Sketches have been made to explain some basic issues in type design during the workshops. They get used to point out some problems which raise while creating a new typeface. Only some foundations are shown, no deep sophisticated details.
Källa: I ♥ typeworkshop.com