Vi läser, inspireras och delar med oss från typografivärlden. Hör av dig om du vet någon bra källa till nyheter. Lämna en kommentar eller kontakta oss.
Kureras av Jörgen Gedeon.
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Amsterdam based illustrator, Leonie Bos, is highly influenced by printmaking and 20th century architecture. To create her fictional buildings, she digitally layers colors and textures to generate a screen-printed affected. Her work has appeared in the Wall Street Journal and numerous Dutch newspapers.
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Also worth viewing:
Andrea Dell’Anna
One and Done
Bratislav Milenkovic
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Thanks to this week’s Sponsor // Fonts Collection
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Refugee. It’s a word a lot like ”victim” or even ”disabled”: it’s both hyper-specific and completely vague at the same time, creating a totally convenient, completely socially acceptable (and often unintentional) way to pigeonhole people in various life-altering circumstances.
”We wanted to emphasize that being a refugee was a temporary status, but being human was permanent.”
And so, as the word washes over you again and again, you stop to see the truth—like the 60 million people who are stranded from their home countries—and start to simply see a figure that’s a lot more convenient to quantify. While there are a record number of ”refugees” in the world, it can be hard to see the people.
Some fun letter playing for The Undefeated. Thanks to Sandra Garcia at FiveThirtyEight for this one.
